A Mouse and A Frog

This week has been very interesting. Coleman Barks introduces Sohbet. “Sohbet has no English equivalent. It means something like mystical conversation on mystical subjects.” Barks continues his introduction to this chapter by discussing an experience many of us may have felt, the sensation of hearing ourselves speaking from habit. Then there are other times where we might say or write something that seems incredibly wise and wonder where the thought or idea came from.

Barks own words are best to portray how he feels this applies to Rumi: “Sometims that presence, amazingly, speaks to Rumi through the poetry; voices slide back and forth within the same short poem! Often the poem serves as a slippery doorsill place between the two…voices coming from a between-place. This expanding and contracting of identity is one of the exciting aspects of Rumi’s art. Everything is in conversation.”

Today’s poem paints a beautiful picture of an open, carefree, joyous relationship between a mouse and a frog. They understand each other and immediately know what the other is thinking;

“Bitterness doesn’t have a chance

with these two.”

After Rumi paints this lovely picture, he changes the metaphor to drive home his point:

“Do camel bells say, Let’s meet back here Thursday night?

Ridiculous. They jingle

together continuously,

talking while the camel walks.”

To be sure we get the point, Rumi asks:

“Do you pay regular visits to yourself?”

The Dog in the Doorway

Rumi:

“This is how it is when your animal energies,

the nafs, dominate your soul:

…you’ve seen a nomad’s dog

lying at the tent entrance, with his head

on the threshold and his eyes closed.

…Now, what if that dog’s owner

were not able to control it?

…Just as you can’t come close,

he can’t go out!”

We must be aware of our animal energies, our nafs, and we must learn to control them or they will control us.

Brother, stand the pain

This week Rumi shared about a man asking to have a tattoo of lion on his shoulder but once the tattooing began, the man couldn’t stand the pain. The story reveals the man complains throughout the ordeal. First he requests the lion have no tail, then no head and finally no belly. The tattoo artist becomes exasperated because the tattoo doesn’t resemble anything. Rumi advises:

Turn away from your cave of sleeping.

What is it to know soemthing of God?

Burn inside that presence. Burn up.

The next poetic story was titled, The Center of the Fire. Two friends argue throughout the story about having too much wine, who can draw and strike their blade first, who can come up with the best argument against the other. Rumi’s conclusion:

We must drown, away from heroism,

and descriptions of heroism.

The mystery does not get clearer by

repeating the question,

nor is it bought with going to amazing

places.

I finished the week with reading about Muhammad and The Huge Eater. The title is pretty straightforward as to what the story is about. Muhammad invites a man into his home who is a glutton. Many in Muhammad’s house were furious with the amount of food the man consumed. A maid locks the man in his room once he has fallen asleep. When the man wakes during the night needing to go to the bathroom he cannot leave the room. As soon as his door is opened in the morning, he flees the house. He returns later for an amulet he has forgotten and when the man sees Muhammad, “the hands of God” washing his soiled bed clothes he is devastated, then a great love enters him. The man feels unworthy and prostrates himself before Muhammad. Muhammad holds him and opens the man’s inner knowing.

When the body empties and stays empty,

God fills it with musk and mother-of-pearl.

That way a man gives his dung and gets purity.

Stay with friends who support you.

Talk with them about sacred texts,

and how you’re doing, and how they’re doing,

and keep your practices together.

Rumi is very direct with letting his listeners know exactly what he is trying to say with this story. We will succeed on our journey if we are not alone. We need community.